A Raisin in the Sun vs. The Glass Menagerie Essay -- Raisin Sun Glass

A Raisin in the Sun vs. The Glass Menagerie   Ã‚  Ã‚  Ã‚  Ã‚  America is known around the world as the land of opportunity, a place where you can follow your dreams. No matter how selfish or farfetched ones dream may be, their goal will always be available. Whether it be the pursuit of the woman of your dreams, like that of Jay Gatsby, or the hunt for something pure and real, like Holden Caulfield. A Raisin in the Sun, by Lorraine Hansberry, and The Glass Menagerie, by Tennessee Williams, exhibit the various types of American lifestyles and the aspiration that surface among each character. The dreams between the characters in the two literary works differ in selfishness, and availability.   Ã‚  Ã‚  Ã‚  Ã‚  Tom is a young man bearing the responsibility of his handicapped sister, Laura, and his suffocating mother, Amanda. He works in a factory, and uses his paycheck to provide for the family. Jim, a fellow factory worker and former high school friend, knows Tom as Shakespeare, in that Tom writes poetry, sometimes to alleviate his suppressed feelings of frustration. Poetry is one of Tom’s methods of escape from the lunacy in his home. Adventure is something Tom does not experience much of, and is angst toward his less than mediocre life is expressed in many of his arguments with Amanda. â€Å"Man is by instinct a lover, a hunter, a fighter, and none of those instincts are given much play at the warehouse,† (Williams 64). Love, hunting and fighting are adventurous matters, and with Tom’s run of the...

How Celtic is Iron Age Britain?

The construct of sorting a period of prehistoric culture as the Iron Age was foremost introduced in the nineteenth century, and subsequently validated by the massively important finds at Hallstatt and La Tene. Subsequently, the epoch was broken down into chronological periods, against which the British Iron Age is now defined. For easiness of definition, The British Iron Age tends to be broken into three periods, Early, Middle and Late, crossing approximately 1000 old ages, from 800 BC to the second century AD, and is so named owing to the find and development of Fe taking prevalence over the usage of bronze. The term Celtic, holding passed into the slang, is now nil more than a obscure generic term. The traditional position was that Iron Age Britons were portion of a huge Celtic Commonwealth which so stretched across Europe, a universe of peoples who spoke related linguistic communications, and who shared a typical set of values, societal establishments, spiritualty, art and other facets of life and civilization. ( James 1997, 2 ) . This is now acknowledged to be a monolithic simplism, a romanticised impression Born of theories put frontward by eighteenth century bookmans, based on classical Latin and Greek beginnings. Edward Lhuyd proposed that Welsh, Scottish and Irish languages all root from the ancient Gaulish. The label Celtic was so transposed from the linguistic communications to the people themselves, landscapes, and their sensed civilization and art. Historically and archaeologically talking, this word is unhelpful and uninformative. Indeed, Simon James has suggested that naming the Iron Age Celtic is so deceptive that it is best abandoned. ( James S. 01.06.98 ) As the term Celtic is virtually nonmeaningful, for the intent of this piece we shall look into to what extent the autochthonal population of Britain were influenced by their Continental opposite numbers. It was thought that the Iron Age Britons ( consisting of diverse and frequently warring folks and were in no manner unified ) were capable to a figure of Belgic invasions during the Iron Age. Some of the grounds for this theoretical account comes from Caesar, who states that anterior to his ain expeditions of 55 and 54 B.C. , the population of the coastal parts of south-eastern Britain had themselves migrated from Belgic Gaul, foremost in hunt of loot, and later in order to settle for good. He besides reported that in his ain life-time, Diviciacus had been non merely the most powerful swayer in all Gaul, but had besides exercised sovereignty in Britain. ( D.W. Harding 1974, 201 ) There is archeological grounds which has been used to back up this theoretical account. The find of the Battersea shield in 1857, an elaborately decorated piece, is similar to a bronze shield found in the river Witham in Lincolnshire. Both are similar in design to artefacts found at La Tene. These discoveries, combined with graveyard sites in Aylesford, Welwyn and East Yorkshire, which bore close relation to Gaulish burial rites, were taken as verifying the theory of invasion as the principal, even exclusive, cause of alteration in prehistoric Britain. ( James 1997, 12 ) With the coming of Fe came a figure of bastioned defense mechanisms or hillforts. There are about 3,300 such defense mechanisms on mainland Britain. It was originally thought that these were a response to an invasion in the third century B.C. allowing loose sets of Gaelic warriors over big parts of the south state. ( Harding 1974, 54 ) However, subsequent probe has found that techniques such as lumber lacing, which was prevalent on the Continent, was besides adopted in Britain. This presents us with the fact that there were so links with the Continent, which were non needfully hostile, as their engineering is shared and assimilated. Some folks depended wholly on agribusiness where the land and dirt permitted ; others in coastal parts where the land was non so hospitable, subsisted wholly from the sea. Settlement types varied consequently, from the normally used roundhouse, to the Lake Village close Glastonbury in the Somerset degrees, to the rock built brochs of Northern Scotland. Such diverseness does non look to hold been echoed on the Continent, although there were similarities in some countries. Mentioning to a colony in Kent, Caesar wrote that the edifices were situated in close propinquity to each other, and really similar to the colonies of the Gauls. However, there remains small grounds to day of the month to propose a strong relationship between the homes on the continent, and those in Britain. The economic system chiefly relied on agribusiness and the industry of certain goods. Barry Cunliffe describes it therefore: a loosely parallel development between Britain and the Continent, the two countries retaining a close contact, which encouraged a free flow of thoughts and an exchange of goods, while autochthonal traditions remain dominant. ( Cunliffe 1991, 442 ) The usage of mintage came into pattern around 100 B.C. and straight emulated the Gallic system. There were comparings with the economic system of the Continent, but the British remained insular to some extent until the ulterior Roman invasion. We have some archeological grounds of the funerary patterns of antediluvian Britain, but merely classical mentions inform us as to the Gods, Druids and priesthoods intrinsic to these beliefs. Harmonizing to Caesar, the Gauls and the British shared several patterns, including the preparation of Druids. In the early Iron Age, the disposal of organic structures left no archeological hint. The in-between Fe age sees graveyards and burials with goods, whilst the late Iron Age sees the debut of cremations form Gaul. In add-on, many organic structures from this epoch have been retrieved from peat bogs throughout northern Europe, frequently with marks of multiple causes of decease, possibly bespeaking ritual forfeit. Evidence suggests that similar beliefs are held throughout Europe at this clip, and would look to denote a belief in some signifier of hereafter. Much is made of the Celtic caput cult, but this mostly depends on reading of the grounds. ‘There is no uncertainty that the cap ut was considered the most of import portion of the human organic structure the accent on head-hunting demonstrates this and the emphasis on the caput in Celtic art is incontestible. Yet I believe it is a error to believe in footings of a specific head-cult’ ( Green 1986, 216 ) . In decision, how Belgae Gallic was Iron Age Britain? Surely, many facets of Iron Age life were influenced by the Belgic Gauls, to changing grades throughout the period. But to name the British Iron Age Celtic is a simplified generalization ; some countries were touched by Continental patterns, others, more geographically remote from the south seashore will hold felt their influences far less. However, it seems far less likely that Britain was invaded per Se. Simon James states that Britain in the Iron Age grew with critical, if non fickle, parts and influences from Continental Europe in the signifier of trade, kinship links, and reasonably surely some localized in-migration, particularly in the late Iron Age South. ( James 1997, 84 ) The revisionist theory seems at this minute far more plausible than the construct of sweeping invasion. Bibliography Cunliffe, Barry, Iron Age Communities in Britain, Routledge 1991Green, Miranda, The Gods of the Celts, Gloucester 1986.Harding, D.W. , The Iron Age in Lowland Britain, Routledge and Kegan Paul, 1974James, S. & A ; Rigby, V. , Britain and the Celtic Iron Age, British Museum Press 1997James, S. , 1998 Peoples of Britain ( online ) UK ; Available: hypertext transfer protocol: //www.bbc.co.uk/history/ancient/prehistory/peoples_03.shtml Accessed 29th April 2005

Case study of dove soap Essay

â€Å"I think Canada was just really ready for it,† says Aviva Groll, group account director at Ogilvy, who has worked on Dove since 2004. â€Å"There was a lot of support internally at Unilever, it struck a chord†¦ [It was] a time of great experimentation and great leadership that allowed that to happen. † Groll also notes that having the budget available and co-operation amongst the product categories to allow for a campaign centred on the brand as a whole meant everything fell into place for a Canada-first launch. What followed was unexpected buzz as the campaign gained traction around the world, becoming a major water cooler topic before the days of social media spreading ideas like wildfire. New Dove products were launched using the same creative idea – showing real women with different hair types, skin types and body types, loving themselves and their favourite Dove products, often in their underwear. While the water cooler buzz and media attention escalated (Oprah had those underwear-clad women on her show), one of the most talked-about aspects of the campaign came as a complete surprise to MacLeod and her team – the viral power of striking the right chord. By now, almost everyone has seen the â€Å"Evolution† video on YouTube (12 million people and counting), depicting a woman who gets transformed, through makeup and Photoshop, into a model, proving that even The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today. The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today. The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today. The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today. The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today. The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today. The Dove billboard can easily be compared to the story of the â€Å"World of Wrestling† from Barthes Mythologies. In the story, wrestling is described as a myth for the simple reason that the audience doesn’t care if a wrestling match is rigged, but rather what it is seeing taking place. They don’t think about reality or truth. In fact, they really don’t think at all; they see (Barthes 2000, p. 15). This can be applied to the Dove advertisement because the audience is only engaged with what it sees, not with the truth and persuasion of the ad. The target audience doesn’t realize that what they’re seeing was all a process to evoke a certain message and get them to think a certain way about their product or have meaning to the audience. And think a certain way they did. Ultimately Dove’s daring strategy increased their sales and market share. Women were able to connect to the ad, which in turn made them buy the product. The campaign led to the Dove Self Esteem Fund, which gave Dove even more media exposure with the making of YouTube videos and clips. As one can see, Dove successfully turned around their advertising tactics, which led to increased sales and changed feelings toward Dove products. These products were the same beauty products before and after the new campaign, but successful advertising allowed for people to view the products as something totally different. According to the Magic Bullet or Hypodermic Needle Model, mass media has a powerful influence over people, and can deliberately alter or control the mass audiences’ behaviour. I suppose this is not in argument today.

Die Prinzen Deutschland and Millionär German Lyrics

Die Prinzen 'Deutschland' and 'Millionr' German Lyrics Pop music fans in German-speaking countries are very familiar with the band Die Prinzen. They topped the charts in the 80s and  90s with songs like  Deutschland and  Millionr, and their songs are filled with satirical lyrics about German society. If you have yet to discover this famous pop band, now is a perfect time. Two of their hit songs are included below with a direct English translation that demonstrates the bands humor. An Introduction to Die Prinzen (The Princes) With 14 gold and six platinum records  and over five million recordings sold, Die Prinzen (pronounced  DEE PRINT-sen)  are one of the most popular German pop bands of all time. Before they became Die Prinzen, the groups members were all in the Thomanerchor of the Thomaskirche (St. Thomas Church) in Leipzig, which is one reason they specialize in  a capella  music (singing without instrumental accompaniment). In the 1980s, the bands members were Sebastian Krumbiegel, Wolfgang Lenk, Jens Sembner, and Henri Schmidt. The lyrics of their songs are usually satiric and humorous, with tongue-in-cheek criticism of the German government and German society. In 1990, the bands album Das Leben ist grausam, and the singles Gabi und Klaus and  Millionr  were big hits. The band gained more recognition when it toured with Germanys Rock-Opa  Udo Lindenberg  in 1992. Their second album, Kà ¼ssen verboten, with its title hit song, sold well. In later albums, the band also added an instrumental techno sound to their voices. After a lull in the late 1990s, Die Prinzen regained their popularity in Germany with the popular song Olli Kahn, referring to Germanys World Cup star goalie Oliver Kahn. The band has played concert tours in Germany, Austria, Switzerland, and Luxembourg.   Popular Songs A few of Die Prinzens songs were really big hits, and many of them can be found on the Ganz  oben  - Hits album as well as the albums they were originally released on. Millionr (1987) Album: Das Leben ist grausamAlles nur  geklaut (1993) Album: Alles nur  geklautKà ¼ssen verboten  (1992) Album: Kà ¼ssen verbotenSchwein sein  (1995) Album: SchweineSchlottersteinhymne  (1996) Album: Die CD  mit  der  mausDeutschland  (2001) Album: D Deutschland Lyrics Album: DReleased: 2001 Deutschland  is an irreverent, satirical song that makes a few pointed remarks about the homeland of Die Prinzen. This single from the album D (for Deutschland) was released on the 40th anniversary of the building of the Berlin Wall in 2001.   Some references in the song text are borrowed from right-wing, neo-Nazi phrases and the opening chorus of Deutsch, deutsch, deutsch... is reminiscent of Nazi times. But the song satirizes such overt patriotism and other behaviors that are typisch Deutsch. In case theres any doubt that this is satire, Die Prinzen use their favorite word (Schwein) at the very end to replace sein (to be). Below you will find the original German lyrics to Deutschland along with an English translation. Only the primary verses have been included and the chorus  Deutsch,  deutsch,  deutsch... is repeated between most verses. WARNING: Some words in these lyrics may be offensive to some people.   German Lyrics Direct Translation by Hyde Flippo Natrlich hat ein Deutscher Wetten, dass* erfundenVielen Dank fr die schnen StundenWir sind die freundlichsten Kunden auf dieser WeltWir sind bescheiden - wir haben GeldDie Allerbesten in jedem SportDie Steuern hier sind WeltrekordBereisen Sie Deutschland und bleiben Sie hierAuf diese Art von Besuchern warten wirEs kann jeder hier wohnen, dem es geflltWir sind das freundlichste Volk auf dieser Welt Of course a German invented Wetten, dass*Many thanks for the enjoyable hoursWere the friendliest customers in this worldWere modest - we have moneyThe very best in any sportThe taxes here set a world recordVisit Germany and stay hereIts this kind of visitor we wait forAnyone who likes it can live hereWere the friendliest people in this world Nur eine Kleinigkeit ist hier verkehrtUnd zwar, dass Schumacher** keinen Mercedes fhrt Just one little thing is out of whackAnd that is, Schumacher** doesnt drive a Mercedes Refrain:Das alles ist Deutschland - das alles sind wirDas gibt es nirgendwo anders - nur hier, nur hierDas alles ist Deutschland - das sind alles wirWir leben und wir sterben hier Refrain:All that is Germany - all that is usYou wont find that anywhere else - only here only hereAll that is Germany - all that is usWe live and die here Es bilden sich viele was auf Deutschland einUnd mancher findet es geil, ein Arschloch zu seinEs gibt manchen, der sich gern ber Kanaken beschwertUnd zum Ficken jedes Jahr nach Thailand fhrtWir lieben unsere Autos mehr als unsere FraunDenn deutschen Autos knnen wir vertraunGott hat die Erde nur einmal geksstGenau an dieser Stelle, wo jetzt Deutschland istWir sind berall die besten - natrlich auch im BettUnd zu Hunden und Katzen besonders nett Many people are arrogant about GermanyAnd some think its cool to be an aholeThere are some who like to complain about Kanaken [foreigners]And travel to Thailand every year to f-We love our cars more than our womenBecause we can trust German carsGod kissed the earth just onceRight on the spot where Germany is nowWere the best everywhere - naturally also in bedAnd were especially nice to dogs and cats Wir sind besonders gut im Auf-die-Fresse-haunauch im Feuerlegen kann man uns vertraunWir stehn auf Ordnung und SauberkeitWir sind jederzeit fr nen Krieg bereitSchnen Gru an die Welt, seht es endlich einWir knnen stolz auf Deutschland... SCHWEIN! Were really good at busting someone in the chopsWe can also be relied on for starting firesWe like order and cleanlinessWere always ready for a warFriendly greetings to the world, understandWe can be proud of Germany... SWINE! Millionr Lyrics   Album: Das Leben ist grausamReleased: 1987 Millionr is another of  Prinzens hit  songs. It was first released on the Das Leben ist grausam (Life is Cruel)  album. The lyrics are about how great it would be to become a millionaire and, as you can see, it is definitely another satirical song. Again, the main verses of this song have been included here with the English translation. The phrase Ich wr so gerne Millionr... (I would love to be a millionaire) is repeated between most verses. German Lyrics Direct Translation by Hyde Flippo Ich wr so gerne MillionrDann wr mein Konto niemals leerIch wr so gerne MillionrMillionenschwerIch wr so gerne Millionr Id really like to be a millionaireThen my account would never be emptyId really like to be a millionaireWorth millionsId really like to be a millionaire (Geld, Geld, Geld...) (Money, money, money...) Ich hab kein Geld hab keine Ahnung, doch ich hab n groes MaulBin weder Doktor noch Professor, aber ich bin stinkend faulIch habe keine reiche Freundin und keinen reichen FreundVon viel Kohle hab ich bisher leider nur getrumt I have no money, have no clue, but I do have a big mouthIm neither a doctor nor a professor, but Im terribly lazyI have no rich girl friend and no rich male friendUnfortunately, up to now Ive only dreamed of having dough Was soll ich tun, was soll ich machen, bin vor Kummer schon halb krankHab mir schon paar Mal berlegt: Vielleicht knackst du eine BankDoch das ist leider sehr gefhrlich, bestimmt werd ich gefasstUnd auerdem bin ich doch ehrlich und will nicht in den Knast What should I do, what should I try? Im half sick with worryA few times before I thought: Perhaps you could rob a bankBut unfortunately thats very dangerous; Id get caught for sureAnd besides Im actually honest and I dont want to go to jail Es gibt so viele reiche Witwen, die begehrn mich sehrSie sind scharf auf meinen Krper, doch den geb ich nicht herIch glaub das wrd ich nicht verkraften um keinen Preis der WeltDeswegen werd ich lieber Popstar und schwimm in meinem Geld There are so many rich widows who want me badlyTheyre hot for my body, but I wont give it to themI dont think I could handle that for any price in the worldThats why Id rather become a pop star and swim in my money The German lyrics are provided for educational use only. No infringement of copyright is implied or intended. The  literal, prose translations of the  original German  lyrics is by Hyde Flippo.

Aquatic Communities

Aquatic Communities Aquatic communities are the worlds major water habitats. Like land biomes, aquatic communities can also be subdivided based on common characteristics. Two common designations are  freshwater and marine communities. Freshwater Communities Rivers and Streams are bodies of water that continuously move in a single direction. Both are rapidly changing communities. The source of the river or stream usually differs significantly from the point at which the river or stream empties. A variety of plants and animals can be found in these freshwater communities, including trout, algae, cyanobacteria, fungi, and of course, various species of fish. Estuaries are the areas where freshwater streams or rivers meet the ocean. These highly productive regions contain widely diverse plant and animal life. The river or stream usually carries many nutrients from inland sources, making estuaries capable of supporting this rich diversity and high productivity. Estuaries are feeding and breeding grounds for a variety of animals, including  waterfowl, reptiles, mammals, and amphibians. Lakes and Ponds are standing bodies of water. Many streams and rivers end in lakes and ponds. Phytoplankton are usually found in the upper layers. Because light is absorbed only to certain depths, photosynthesis is common only in the upper layers. Lakes and ponds also support a variety of plant and animal life, including  small fish, brine shrimp, aquatic insects, and numerous plant species. Marine Communities Oceans cover approximately 70% of the earths surface. Marine communities are difficult to divide into distinct types  but can be classified based on the degree of light penetration. The simplest classification consists of two distinct zones: the photic and aphotic zones. The photic zone is the light zone or area from the surface of the water to the depths at which the light intensity is only around 1 percent of that at the surface. Photosynthesis occurs in this zone. The vast majority of marine life exists in the photic zone. The aphotic zone is an area that receives little or no sunlight. The environment in this zone is extremely dark and cold. Organisms living in the aphotic zone are often bioluminescent or are extremophiles and adept at living in extreme environments. As with the other communities, a variety of organisms live in the ocean. Some include  fungi, sponges, starfish, sea anemones, fish, crabs, dinoflagellates, green algae, marine mammals, and giant kelp.

Bentley University Acceptance Rate and SAT Score Facts

Bentley University Acceptance Rate and SAT Score Facts Bentley requires test scores as part of its admissions process. Students can submit either SAT or ACT scores, and neither is preferred over the other. Bentley is a selective school, and only admits 42 percent of applicants each year. To apply, students must fill out a Common Application, complete with the writing/personal statement section. In addition, students must submit test scores, an application fee, and high school transcripts. Bentleys admissions are holistic, meaning that they look at more than just grades and test scores. Students who participate in extracurricular activities and have work or volunteer experience are encouraged to list their activities and experience on their applications, to help set them apart. Will You Get In? Calculate Your Chances of Getting In  with Cappexs free tool. Admissions Data (2016) Bentley University Acceptance Rate: 46%GPA, SAT and ACT graph for Bentley Test Scores:  25th / 75th Percentile SAT Critical Reading: 510 / 620SAT Math: 550  / 670SAT Writing: - / -What these SAT numbers meanACT Composite: 25  / 30What these ACT numbers mean Bentley University Description Located on a 163-acre campus in Waltham, Massachusetts, Bentley University is not a typical New England college. The great majority of Bentley students major in some area of business, but the school is nevertheless a comprehensive university where the liberal arts and sciences play a central role in the curriculum. Ethics, social responsibility, and global culture are all important components of a Bentley business education. Bentley has a 12 to 1  student/faculty ratio  and an average class size of 24. The university frequently ranks among the top 50 business schools in the country. On the athletic front, the Bentley University Falcons compete in the NCAA Division II, within the Northeast-10 Conference. Popular sports include track and field, football, basketball, and soccer. Bentley University Mission Statement To educate creative, ethical, and socially responsible organizational leaders by creating and disseminating impactful knowledge within and across business and the arts and sciences. Enrollment (2016) Total Enrollment: 5,506  (4,222 undergraduates)Gender Breakdown: 59% Male / 41% Female98% Full-time Costs (2016 - 17) Tuition and Fees: $45,760Books: $1,260  (why so much?)Room and Board: $15,130Other Expenses: $1,200Total Cost: $61,005 Bentley University Financial Aid (2015  - 16) Percentage of New Students Receiving Aid: 76%Percentage of New Students Receiving Types of AidGrants: 68%Loans: 49%Average Amount of AidGrants: $25,343Loans: $8,540 Academic Programs: Most Popular Majors:  Accounting, Business Administration, Finance, Marketing, Computer Science, Mathematics, Global Studies, Business/Corporate CommunicationsWhat major is right for you?  Sign up to take the free My Careers and Majors Quiz at Cappex. Graduation and Retention Rates: First Year Student Retention (full-time students): 94%Transfer-out Rate: 3%4-Year Graduation Rate: 83%6-Year Graduation Rate: 89% Intercollegiate Athletic Programs: Mens Sports:  Football, Lacrosse, Soccer, Swimming, and Diving Track, and Field, Basketball, Ice Hockey, BaseballWomens Sports:  Field Hockey, Basketball, Track and Field, Softball, Tennis, Volleyball, Cross Country Bentley and the Common Application Bentley University uses the  Common Application. These articles can help guide you: Common Application essay tips and samplesShort answer tips and samplesSupplemental essay tips and samples Data Source: National Center for Educational Statistics

Targeted Work Class Research Paper Example | Topics and Well Written Essays - 1000 words

Targeted Work Class - Research Paper Example Human resource planning should serve as a link between human resources management and the overall strategic plan of the organization. Workforce planning is defined as: A process in which an organization attempts to estimate the demand for labor and evaluate the size, nature and sources of supply which will be required to meet the demand. For example, aging populations in most western countries and growing demands for qualified workers in developing economies have underscored the importance of effective Human Resource Planning. The circumstance that the world is changing daily as we move forward in the future demands that the process be an iterative one. Organizations are also changing to fit into the future. A planning model is therefore needed that allows us to anticipate the future and to use this anticipation with the analysis of our organization-its culture, mission, strengths and weaknesses-to define strategic issues, to chart our direction by developing strategic vision and pla ns, to define how an organization will implement these plans and to specify how an organization will evaluate how it is planning to implement these plans. Every organizations wish is its continuity to succeed. In order to prosper, an organization acquires the support and resources it needs to fulfill its mission. In the end success is measured by how well and the organization accomplishes its missions and vision. In his book, he suggests that to achieve a favorable future, an organization should involve all the resources, the interested parties, that is, anyone interested in achieving the organizations goals in envisioning the most desirable future and to work together to make that vision a reality, together as an organization. Committees are created to oversee the process of planning. Planners are then guide by the organizations mission, vision or values to carry out the process. In some cases, the planners identify the external environment and determine the planning structure on t he basis of these. Indeed, with the use of strengths, weaknesses, opportunities and threats (SWOT) analysis is crucial in addressing the methods to be used. This helps to set up priorities which will be used to analyze the results of the plans. It is important that the organizations involved ensure that the plans are sustainable. Sustainability of the organization is important because the strategic planning initializes a process that focusses on the future of the organization. The communication between the stakeholders is very important in sustaining a suitable working environment. Therefore, the key to strategic management in the organizational change is to understand that people communicate and actually work together to create that future. However, this does not mean that strategic mean that strategic management replaces traditional management activities such as budgeting, controlling and monitoring. The change that takes shape is rather the integration of these activities into br oader context, taking into account the external environment, internal organizational capabilities, and the organizations overall purpose and direction. For example, budgeting is done to not only oversee the operations of the organization at certain period of time, but, it is constructed to lift the organization to its missions and objectives, which is long term objective. This is also carried out in all the other